2010 Mini Festival of Recent Asian American Films Reflection (Jonathan Soon)
(Secret Asian Man by Tak Toyoshima)
- How did the group process work for you – are there things that you would do differently in retrospect? If so, why?
I think the group process worked well. There weren’t a lot of issues that truly caused controversy or a divide among the group, which always helps. I think deciding things with voting and having Prof. Ma mediate/moderate was a good way to do things.
- What did you learn from programming and organizing the Festival?
I learned a lot in both the programming and organization of the festival. From a programming standpoint I learned the different considerations in terms of not only format (serial vs. condensed) but also what actually goes into choosing a screening program from a pool. I learned that filmmakers get paid for their works to be screened and to appear in person. (This makes sense, but I have never really known about this or thought about it before.) From an organization standpoint, I learned a lot of technical skills. I learned how to use Adobe Illustrator to make a flier (I now know why people use this instead of Photoshop to make fliers). I also learned how to operate the audio/visual booth in Broad Performance Space. Finally, I got a glimpse into the lives of independent filmmakers of various notoriety at both the dinner and the reception we hosted. I enjoyed both and especially enjoyed chatting with Quentin Lee about various topics.
- Did you learn something new about the subject that is different from what you learnt in the books and films we discussed in class?
I thought it was interesting the festival featured both RASPBERRY MAGIC and THE TAQWACORES. Both these filmed featured groups I would normally not associate with an Asian American film festival. I also thought the subject matter covered in WIND IN A BOX and GRANDMA (transgenderism, mental health) are subjects that normally not discussed in Asian communities.
- Did your views on Asian American media change during the project?
I think my views changed in that I got to see some more modern independently produced Asian-American features and shorts. It definitely got me interested in the Los Angeles Asian Pacific Film Festival that is coming up next year. I think it’d be cool to volunteer but with classes that seems hard…I should hopefully be able to at least make some screenings. I enjoyed seeing Asian American in both somewhat stereotypical roles (but usually with a good twist) and roles they would normally not have. STRANGERS in particular is interesting because it’s an American movie, set in LA and is a thriller/action film with both an Asian male and Asian female lead and a Caucasian sidekick…normally it’s the other way around.
- Were there things that did not work, or ones that worked differently from what you expected?
One thing that I’m going to work on for all future projects is proofreading. Anytime you have text, it seems like no matter how many times your proofread there will still be errors unless you have like 3 other people read the same text. (“Rasberry Magic” comes to mind.) This blog post is no exception, I found 3+ typos in it even after proofreading it 5 times. I also think for future festivals that having a longer lead time would be better to allow for more people to be on panels and to allow for better promotion.
-Written and Posted by Jonathan Soon